Saturday, 30 April 2011
James Broad let the Silver Sun in with his acoustic set which set us up to experience chip artist Pixel H8 who makes music from old vintage computers. He did his Knightrider drinking chocolate milk. He is The Master!
Headliners on the night were Smoke Fairies who were making their second appearance of the year at Norwich Arts Centre. This time they made it to Top Hat before the gig to purchase beards for the Royal Wedding. They want to be Kings! It was another brilliant set of Folk and Americana that had the audience asking for more.
A brilliant night of music that raised loads of money for the Pray for Japan appeal. Very much a night to remember at Norwich Arts Centre.
Tuesday, 26 April 2011
My journey to the Barbican included a train from Norwich to Ingatestone then coach to Newbury Park before catching the tube to Liverpool Street. It's only a ten minute walk to the Barbican from Liverpool Street where I enjoyed a coffee and chocolate brownie before making a visit to the Museum of London. Before the performance I returned to the Barbican to enjoy a delicious cauliflower and sweet potato curry.
Handel composed Messiah in London during the Summer of 1741 and premiered the work in Dublin the following year. Handel repeatedly revised the work until reaching it's most familiar version in 1754. Part One is the prophecy and realisation of God's plan to redeem mankind by the Coming of the Messiah. Part Two is the accomplishment of redemption by the sacrifice of Jesus, mankind's rejection of the offer, and mankind's utter defeat.
I was particularly looking forward to the performance of Elizabeth Watts who was a chorister at Norwich Cathedral. She won the Rosenblatt Recital Song Prize at the BBC Cardiff Singer of the World competition in 2007. Her excellent recording of Bach Cantatas was released this year. I've also been listening to the Huddersfield Choral Society's new recording of Messiah that I highly recommend.
It was a splendid evening with brilliant performances from all the soloists complemented by the choir and orchestra. The acoustics at the Barbican are top class along with the excellent facilities at the venue made this such an enjoyable experience. Messiah is a much loved work that is very closely associated with the Huddersfield Choral Society. Glory to God in the highest, and peace on earth, goodwill towards men.
Wednesday, 20 April 2011
|Vladimir Jurowski and the London Philharmonic|
Orchestra give us a night to remember
The programme for the evening consisted of Nocturnal Procession - Liszt, Mephisto Waltz No. 1 - Liszt, Cello Concerto in B minor - Dvorak and Symphony No. 2 in C minor (Little Russian) - Tchaikovsky. With Vladimir Jurowski as conductor and Alban Gerhardt on cello this was always going to be a night to remember.
A night of wonderful 19th Century Classical Music was guaranteed. Nauturnal Procession was a sobre way to start the concert which put the audience in an reflective mood. The second piece of music from Liszt on the evening, Mephisto Waltz is more dramatic and lively and took us to a place where we were searching for fun. Both of these works were inspired by the legend of Faust and his deal with the Devil.
Dvorak's Cello Concerto is a truly delightful work with a balance between loud and quiet, which gives the cello the opportunity to be heard in full. The passages where the Orchestra is at it's loudest is when the cello is quiet. Emotions of lost love are mixed with moments of uplifting joy. This was the highlight of the concert thanks to the skills of Vladimir Jurowski and Alban Gerhardt.
After the interval we were treated to Tchaikovsky's Symphony No. 2 (Little Russian) which is based on Ukrainian folk songs. The Ukraine was known as Little Russia hence the name of this work. This was a wonderful way to finish the evening with the sounds of celebration being heard all around the Royal Fesival Hall.
This was a brilliant evening that I will remember for a long while. From the amazing venue to the brilliance of the music and the Orchestra. I made my way home on the train to Norwich with the sounds of Dvorak in my head.
Sunday, 17 April 2011
|Metronomy having a party at Norwich Waterfront|
With a ten o'clock deadline when we all turn into pumpkins The Lost Levels gave us an excellent early evening set which showed that all their training had paid off.
Ghostpoet was next on stage with his urban beats straight from the streets. Peanut butter blues that hit the tastebuds in all the right places.
As soon as Metronomy hit the stage they took over the venue with their electronica mixed with funky sounds to get your feet moving. At one point when they were having technical difficulties singer Joseph Mount had a raffle to keep us amused. It may say heartbreaker on the tin but inside there's lots of fun to be had by all.
Saturday, 16 April 2011
|Marcelo Nisinman with his bandoneon|
The programme consisted of Hombre Tango - Marcelo Nisinman, Ciudad Triste - Tarantino arr. Marcelo Nisinman, Nanobots - Enrico Chapela and The Four Seasons of Buenos Aires - Piazzolla.
Playing on this occasion were Thomas Gould - violin, Caroline Dearnley - cello, Stephen Williams - double bass, Huw Watkins - piano and Marcelo Nisinman - bandoneon.
The opening piece Hombre Tango was composed by Marcelo Nisinman where the main theme includes a repeated B. The music was inspired by cellist Eduardo Vasallo.
Osvaldo Tarantino composed Ciudad Triste which means Sad City. Marcelo Nisinman wrote this new version for violin, bandoneon and double bass.
Nanobots composed by Enrico Chapela was on it's world premiere tour. Nanobots are microscopic machines that could be a revelation for the human race in the future. This is a very experimental piece of music based on binary code. I particularly enjoyed this composition as this was trying to be progressive and different.
The highlight of the concert had to be Astor Piazzolla's The Four Seasons of Buenos Aires. This is a truly wonderful piece of music. Summer, Autumn, Winter and Spring all interpreted delightfully. Piazzolla was the pioneer of Nuevo Tango adding new instruments and elements like jazz and baroque. Think of Vavaldi's The Four Seasons with an Latin temperament.
The packed Assembly House all applauded loudly at the end and we were treated to an encore. This was a very special musical experience which will live with me for a long while. I went to Prelude Records in the afternoon and purchased a CD of Piazzolla's music that I have got on repeat play this morning.
Thursday, 7 April 2011
|The Unthanks keeping it folk at Norwich|
Rachel and Becky Unthank took to the stage and transported us to their Northumberland home singing happy and sad songs, well mostly sad songs to move us all. The Unthanks showcased their new recently released album Last.
They gave beautiful performances of Gan to the Kye, The Gallowgate Lad, Queen of Hearts and Close to the Coalhouse Door among others. We might have an Unthank Road in Norwich but that doesn't mean we can understand them.
On a number of occasions Rachel and Becky had to explain Geordie pronunciation to the audience including the line when I was young I lived in a hole but now I'm married and I've no home at all. This made a lot more sense when we were told that hole was hall.
Rachel was heavily pregnant so it was left to Becky to entertain us with her clog dancing. This was a delightful night of folk music at Norwich Arts Centre which I'm sure everyone in the sold out audience enjoyed very much.
Tuesday, 5 April 2011
|Angela Hewitt directs Bach and Mozart|
at Norwich Theatre Royal
The programme for the night was Bach Keyboard Concerto No. 5 in F minor, Stravinsky Concerto in D for string orchestra, Mozart Piano Concerto No. 9 in E flat major and Bach arr. Dmitry Sitkovetsky Goldberg Variations.
Canadian Angela Hewitt is one of the world's top pianists and it was a pleasure to witness her performance of Bach and Mozart. This is the first time that Angela had performed Mozart's K271 in the UK. She brought lots of joy with her playing and enthusiasm.
After the interval Thomas Gould thrilled us on the violin with Bach's Goldberg Variations. This is a twist in the programme as Angela Hewitt is so closely associated with playing this piece of music. Sitkovetsky's arrangement is very expressive and Thomas Gould took advantage of this in impressive style.
Top class Classical Music at a top class venue, this was truly a splendid evening. The Britten Sinfonia orchestra were on top form all night.
Sunday, 3 April 2011
|Wymondham Choral Society bringing the true spirit of|
Easter to St. Peter Mancroft Church, Norwich.
The concert featured Nicola Wydenbach as Soprano, Melanie Lodge as Contralto, Tyler Clarke as Tenor and Timothy Hamilton as Bass. Claire Dixon was Musical Director and Conductor.
Stabat Mater is a medieval poem telling the grief of Virgin Mary as she stands weeping at the Cross. Dvorak started working on the Stabat Mater after the death of his second child. It was in 1877 that he re-arranged it into its present ten movements.
Wymondham Choral Society and The Amadeus Orchestra of London provided us with a performance of the highest quality bringing the true spirit of Easter to St. Peter Mancroft Church, Norwich. I was very moved by the music that reflects on personal grief and faith in the afterlife. When my body has died, let it be that the glory of paradise is granted to my soul. Amen.